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Lavender

by Gemma Laurence

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1.
St. John Divine, whiskey drunk your arm in mine You and Frank O’Hara in your yellow shirt with stripes Love of mine, do you remember that afternoon in Morningside Heights? 4 o’clock october light beguiling your eyes So kiss me in the supermarket aisle Tell me years from now that you still think of me sometimes Brandy wine and the taste of you still lingers on my tongue from time to time Dreaming of the madrigals you wrote me in the night And you kissed me in the supermarket aisle Told me in my dream that you still think of me sometimes
2.
35mm 04:17
I took a picture of you in your bedroom You played me a song in the halflight of morning Woodsmoke still warm in the air Last frame, aperture capture the love we had then Burning your hands in a still motion picture I still remember you there What am I to do What am I to do Without you? Now I’ve been alone in the darkroom closet again Crying your name till I drown out the sound Of the hum of an infrared glare Your hands glow, beautiful radiant warfare In the blacklight of the buckets of chemicals Reaching for something not there What am I to do What am I to do Without you? Maybe someday I’ll forget how the woodsmoke smelled Try to forget you one day but I don’t know how I don’t know how I don’t know how
3.
Lavender 03:36
Born into a world where the walls were painted blue –– it’s a boy! –– your mother cried in her hospital room You play your father’s child in his patriotic town But you wear your mother’s lipstick When you know she’s not around You’re crying out why can’t they see The restless fugue of pink and blue In your identity A lonesome shroud of dissonance settles in your skin In your color-coded uniforms you’re wearing to fit in Anxiety’s a little league and fear’s a locker room Teenage suffocation in your body’s own cocoon And I know it’s not easy To shed your skin and be the woman You were born to be
4.
Adrienne 03:13
Adrienne, we’ve been at the bar since half past ten I think I like you but I don’t know when To let you know Am I just a friend? I don’t want to overthink things yet You know I’ve been alone since god knows when And I want to let you in But I stumbled on my tongue Blamed it on the barrelled rum but I Was only high on every word you said, Adrienne And I’ve been wondering lately How you’ve been 6 a.m., the morning after in your twin sized bed How the sunlight danced in reverence And I couldn’t bear to go Soft-spoken, you said “I dreamed you were a poem I read, So when you coming back to Burlington?” I said I didn’t know But I fumbled on my tongue Blamed it on the barelled rum but I Was only high on every word you said, Adrienne And I’ve been wondering lately How you’ve been So Adrienne, would you let me in? Cause I’d do it all again
5.
Watchdog 03:05
Woodsmoke lingering on our clothes forgotten on the floor Like fallen leaves covered by an early winter storm When you fell into my life tenderly like the first snow I think I’d like to learn to trust you A little more But my watchdog heart is sleeping by the backdoor With one eye open, waiting for you to go With the next snow I woke in a rosy haze of alpine glow My troubles from before frozen on the floor Underneath a foot of snow And I hope you know, I hope you know That I want to learn to trust you a little more And I’m glad that I let you in when you knocked on my door But my watchdog heart is sleeping by the backdoor With one eye open, waiting for you to go When the weathervane blows But my watchdog heart is sleeping by the backdoor With one eye open, waiting for you to go I hope you don’t I hope you don’t But my watchdog heart is sleeping by the back I hope you know
6.
Canyon Moon 03:38
[Mmmm] x 4 Come close to me by the cottonwood creek Take me down to the river where the juncos sing [Ooooo] x 4 Lay me down on the bottom of the canyon floor You could sing me anything in those pretty words of yours And I’d have all of you in the canyon moon [Mmmm] x 4 Be near to me by the burning weeds Open slow like a blossom on the sweet plum tree [Ooooo] x 4 Lay me down on the bottom of the canyon floor You could sing me anything in those pretty words of yours And I’d have all of you in the canyon moon [Mmmm] x 4
7.
I’d drive to San Francisco, pick you a Santa Lucian rose Down in the redwood valley where the nightshade grows Lay me down in the dogwood, whisper my name like you used to do And I’d say you haven’t changed much since I last saw you Oh I know we’re getting old, getting old for these games Buying time in the backseat of your Chevrolet Singing ‘San Francisco, you’ll be seeing me soon’ Read me your favorite poem, something you think that I might like Adrienne, I adore you – would you let me stay the night? I’d kiss your hair in the morning, you’d say I don’t have to go And you’d look so nice in your t-shirt making coffee on the stove I know we’re getting old, we’re getting old for these games Buying time in the half-light of our salad days Singing ‘San Francisco, you’ll be seeing me soon’ Our loose limbs move like morning mist rolling through across the bay Your eyes meet mine so slowly as we wake
8.
Rearview 05:49
There’s not always someone to blame There’s not always reasons to curse out your name There’s not always a reason love leaves when the seasons change No, there wasn’t a reason – you just woke up and didn’t feel the same So I guess I’ll be leaving if we weren’t meant to be anyway I’ll remember you fondly but I’ve gotta go my own way On my own I’m free, I can love what he didn’t see: The light in my eyes, the warmth in my smile The love that I feel so fearlessly from the core of my heart I’d give it all away, but not today In the rearview I’m crying, but I think that I’ll be okay When I let go, I’m finally free I’m dreaming of dancing in lights of the city Cause New York is calling me louder than you ever called me I’ll be dancing alone with the girl who is perfect for me In the mirror she smiles through her tears right back at me Her green eyes are laughing and she’s stronger than she’s ever been On her own, she’s free, she can love what he didn’t see: The light in her eyes, the warmth in her smile The love that she feels so fearlessly from the core of her crooked heart She’d give it all away, but not today In the rearview she’s laughing and I know that she’ll be okay She’s already miles away

about

The title “Lavender” is a nod to one of Laurence’s secret obsessions: Victorian flower language, and the centuries-old tradition of queer women sending each other lavender to express their love. Opening up about her own queerness through a series of intimate vignettes, Laurence spins an intricate web of tales and characters in her sophomore album. Reading like a collection of short stories, each song creates its own lilac-tinted, impressionistic world inspired by Sappho’s lost fragments and the words of Adrienne Rich, Mary Oliver, and Frank O’Hara. Equally tender and beguiling, each song paints an intimate portrait of a person or place from her past, capturing their beauty in the smallest details: the smell of woodsmoke rousing you from a thick fog of sleep, or the way a 4 o’clock October light dances in the irises of a lover’s eyes.

Timeless in their specificity, the vignettes that make up Lavender guide Laurence’s listeners through a labyrinth of rosy memories and monuments to the past. In “Morningside Heights”, we amble whiskey-drunk down Amsterdam Ave on a perfect Autumnal afternoon. In “35mm,” we are locked in the cloisters of an amber-lit darkroom during a particularly heartbreaking photography project. In the powerful trans rights anthem “Lavender,” Laurence opens the door to a more all-encompassing kind of femininity through the eyes of her best friend (who the album is dedicated to). And in “Adrienne” we are lead back into an almost diary-like account of Laurence’s own queer awakening through the words of Adrienne Rich. “Canyon Moon” delves into the sensual heart of the record with Bayou-tinged stomp-and-clap banger, and “Watchdog” hurdles us into the snowy foothills of New England to witness the beautiful, fickle, and anxiety-producing beginnings of a new relationship. After we are transported to the misty San Francisco bay on a quiet foggy morning in “San Francisco,” the album draws to a finale with “Rearview,” a waltz that Laurence initially wrote as an “epilogue” to her first album, Crooked Heart: one that looks in the rearview at her past self, her past work, and her past loves, and leaves it behind for a brighter future.

credits

released November 4, 2022

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Gemma Laurence Brunswick, Maine

Gemma Laurence is a queer indie folk artist from the coast of Maine, now based in Brooklyn. Her debut LP Crooked Heart came out in 2019, and her latest single "Adrienne" is out now.

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